Ok, I’m learning lots of new things in my writing class… here’s something else I’ve learned. This is my post for scenarios. It is like an expanded outline – very rough draft. Then, my comments on what I got out of the experience. I got great comments from my instructor, so I think I should share it!!
SCENARIOS FOR INK MAGIC:
The Zoran repositions Kaydan, and starts tattooing a different spot. Kaydan drifts back into her memories in order to withstand the pain of the needle.
Kaydan finds a knife and cuts a small hole in the back of the canvas tent and slips into the woods. She runs blindly afraid the army is going to catch her. She uses magic to hide her tracks and continues moving south. She wants to avoid the next town, circling to the south, but catches a whiff of bread baking and realizes how hungry she is. She tries to sneak into town to get some bread, but notices men from the army around. She uses just a thread of magic to make herself insignificant to the soldiers, and slides out of town, but she didn’t get any food.
She opens her eyes. The buzz has stopped and the Zoran is patting her shoulder. Kaydan wants to know why she is stopping, and the Zoran answers that she thinks Kaydan has had enough. Kaydan disagrees and they argue briefly, but Kaydan gets her way and the tattooing begins again. The buzzing lulls her back into her memories.
This time Kaydan comes upon the Zoran’s cottage and it is surrounded by soldiers. They have the Zoran on her knees in front of the small cottage. One of the soldiers is screaming at her and calling her a witch, making Kaydan think he is going to hurt or kill her. Kaydan knows she has to do something. She has been trained in combat, and now that training comes back to her. She uses magic to sling the stones at the soldiers and knock them out. Her heart is pounding and she is terrified that she killed them.
Kaydan comes out of her memory again. The dragon is done, but Zoran makes her rest and Kaydan falls asleep.
I think this process is not only useful but essential. I still have a few more to do for this story, but writing out scenarios for the story before you actually write them is like making a complex outline. I can quickly look back over it and see if I have the beats in the right place, if the pace is moving quickly, if the tension is escalating. In this story in particular, I want to feel the seriousness of the war increasing as Kaydan moves through her memories. Once I have it outlined, I can easily shift things around and play with the elements to get the story where it should be even before I even really start writing. I enjoyed doing this, and will use these scenarios to write this story. I think there is more on either side. Once I started writing, it really got things flowing. I felt I could quickly capture the most important elements in each movement of the story. That allowed my creativity to really explode as well; something to remember for those writers block moments.